![]() ![]() In the Famous Studios cartoons, Olive was portrayed as more of a vain, shallow and completely helpless diva, with her romantic feelings for Popeye usually being less faithful and she would often be wooed by the likes of Bluto only for Popeye to win her back in the end, or for both Popeye and Bluto to give up on her. Further, the cartoons themselves were equally transgressive. In fact, Olive's violent tendencies towards rival women once even made her literally go mad with rage. The music was as irreverent and as sensual as they had heard. Despite these difference, Popeye and Olive do love each other and both are willing to fight for each other if need be, as both get easily jealous and will often fight any potential rivals that threaten to separate them, and Olive will go all out against any rival like the scrapper she is. Born in the 30s, Betty Boop made her first appearance in cartoons with a walk-on role playing the dog-like love interest to Fleischer Studios Bimbo. Her stage name was 'Baby Esther', but unfortunately, when her character become the first and most famous. However, at times she can be quite bossy and possessive, always wanting to make Popeye do what she wants, but the quick witted sailor usually manages to find a way to avoid his lover's wrath. Betty Boop: 'I made my first movie eight years ago when I was sixteen.' Betty Boop: 'I am still sixteen and will always stay sixteen Ain't that something' Betty Boop: 'A Paramount and a Betty Boop cartoon mixed for a well perfect program. PBS has confirmed that Betty Boop, the popular cartoon character introduced to the world by cartoonist Max Fleischer in 1930, was actually inspired by a real-life African American jazz singer and entertainer from Harlem named Esther Jones. Betty is the only character to be let off by Olive Oyl, as the latter is a well-known scrapper and usually fights for her man. Olive cares deeply about Popeye, and, despite their rough start, she eventually grew to love him dearly. In a letter, he confronted PBS about the misinformation.In the above artwork by Myron Waldman, Betty and Popeye are shown flirting while Olive Oyl watches the both of them through a window, thinking that the reason Popeye finds Betty more attractive has something to do with her hairstyle. The real reason comes from the grandson of Max Fleischer, the co-founder of the studio. The court dismissed the case, and Max Fleischer (Betty Boop’s creator) made this video as a very special little fuck you when all was said and done. However, generations of fans have revived the love for this timeless cartoon character. It's been a whopping 91 years since Betty Boop danced her way into the hearts of Americans. Originally, Betty Boop was intended to be a dog but it was in 1923 that she received a makeover and turned into the Betty Boop we know of today. The character was created by Fleischer and Paramount Studios. Historians refuted the PBS article, but the article and misinformation continued to spread.Ĭartoon Brew goes on to report that PBS admitted “that it did not follow established protocol to retract the story in a timely manner since the PBS Digital team that produced the piece believed it to be “promotional copy, not journalism.” The Betty Boop film series first appeared in the Talkartoon series released by Paramount Pictures in 1930. It was in the early 1930s that she made her first appearance in a talking cartoon called Dizzy Dishes. The news site noted how PBS’s status as a trusted source led to the false story “spreading like wildfire.” PBS took six years to retract the article Jones’s involvement led to the false claim that Betty Boop was based on the performer.Ĭartoon Brew confirmed that “PBS…has issued an in-depth mea culpa acknowledging that they misled the public by falsely claiming that the Fleischer Studios character Betty Boop was based on a Black child performer named Esther Jones.” The "real" Betty Boop was a black singer from Harlem named Esther Jones /LvHlTb7PQh- BUST Magazine October 17, 2017
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